You start with something simple and gradually get more difficult - while making sure to do real-life practical exercises every so often (like learning songs by ear, or parts of songs). You get used to the movement, get your technique right - and then you start gradually upping the weights you lift. We don’t walk into the gym and start lifting the heaviest weight! We start with the weight that is almost too easy that we wonder why we’re bothering with it… If you were to tackle everything in one go then yes it would be difficult. We need to get out of our comfort zone and go do a real-life activity that will challenge our body in different ways - it’s the same with our ears. In order to strengthen your ability to hear & identify all those elements, you need to train.Īs with any sort of training, this is about repetitive exercises that get gradually more difficult over time.Īnother important aspect of your ear training is to step outside of the repetitive exercises and use your listening skills in a real-life situation - ie, figuring out a song (or parts of it).Īgain this correlates with any physical training of the muscles, we can’t simply repeat stuff all the time or our muscles will become too accustomed to those exercises and our progress will stagnate. I’m here to tell you that though it is important, solfege and learning to sing & identify intervals is only the beginning. So if you have learned solfege in the past, or if you’ve heard about it and thought that was the complete path to playing by ear … Recognise chord progressions - cutting down the workload of chord-by-chord analysis and making the process even faster! Recognise patterns - without it we’d need to figure out hundreds, maybe thousands of notes within a song instead of simply identifying patterns and remembering them. Recognise rhythms - so that we can play melodies and riffs faithfully without needing notation. Recognise pitches that are played together - the chords! Playing by ear isn’t just about intervals of separate notes going up or down, that only deals with the pitches in the melody - and that’s not a whole song! How does ear-training help me to play by ear? There is much more required in playing by ear - which you would have gathered if you’ve already learned solfege, but still can’t figure out a song! What a relief that Solfege helps with that specific part of training the ear! This trains our ear to recognise intervals - which is handy because there are 12 of them.Īnd we not only need to know how to identify intervals going up, but also going down! This is where most ear-training programs will focus - it is why the great technique ‘solfege’ is used (think The Sound of Music ‘Doe a Deer’ song, lyrics and all). ↳ Lutes, Baroque and Renaissance Guitars, etc.One of the parts of ear-training is to decipher where notes are in relation to each other - this is called ‘relative pitch’ and is super important to playing by ear.↳ Advice on buying, selling or valuing a guitar.↳ Guitar accessories and luthier supplies for sale.↳ Archives of past "Classical Guitars for Sale".↳ Historical Background to Classical Guitar pieces.↳ Classical guitar recording and amplification.↳ Ergonomics and Posture for Classical Guitarists.↳ Search for classical guitar sheet music.↳ Use of nails in playing the classical guitar.↳ Archives of Public Space and its subforums.↳ How to Participate in the Delcamp Classical Guitar Forum.Most of the things I do to get paid require aural skills. There is music you make for fun, and musical activity you engage in to get paid. Probably, in previous decades, many could get away with it, but with everything in the musical world being so much more competitive, I doubt many 'get away with it' nowadays, certainly, within the profession." All three things btw have clear inter-connections and relationships. It is true there has been a historical tendency for guitarists to be the least able of all musicians, at aurals, sight-reading and theory. " Point of view the comparison with pianists, well all musicians need and benefit from, better aural faculties. classes beside the guitar lessons in order to build up a solid foundation.Īctually, Stephen Kenyon explains some of the reasons, let me quote his words: Some students are never to be asked, or even not knowing (including me) to take any aural, sight reading. I totally agree your point that "Every music student needs to develop his or her ear".īut the reality is, many classical guitar students just learn to play (or can be called "learn to manipulate") the instrument when taking the lessons from their instructors. Bitter_regret wrote: ↑ Friday 07 January 2022, 15:51 pmĮvery music student needs to develop his or her ear.
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